Showing Records: 1 - 20 of 32
2 _ for raoul housmann 65 (250766) / Houedard, Dom Sylvester., 1966
This work depicts squiggley lines formed from the @ character. -- Source of annotation: Marvin or Ruth Sackner.
[16 colons in 2 rows] (300663) / Houedard, Dom Sylvester., 1963
[abstract composition] (240664) / Houedard, Dom Sylvester., 1964
[Abstract Landscape & Hills] (100564) / Houedard, Dom Sylvester., 1964
Acquaintance With Celestials / Mott, Michael., 1971
The artist composed the work on an Olympia Splendid 99. In a personal communication to Marvin Sackner in 2013, Mott stated that the his typewritings were inflenced by Margaret, his first wife's (died in 1990) weavings plus reading on knots, quipu, etc and not by reading Monk's Pond that he was unaware of until the 1980s. He further mentioned that he employed "various degrees pf pressure to give variations and life to the work." -- Source of annotation: Marvin or Ruth Sackner.
[?] / Azcarate, Emilia., 2013
This work is depicted on page 83 of Azcarate's catalogue "Liminal." -- Source of annotation: Marvin or Ruth Sackner.
CHANCE AND SOLITUDE / Mott, Michael., 1971
The artist composed the work on an Olympia Splendid 99. In a personal communication to Marvin Sackner in 2013, Mott stated that his typewritings were influenced by Margaret, his first wife's (died in 1990) weavings plus reading on knots, quipu, etc and not by the reading of Monk's Pond that he was unaware of until the 1980s. He further mentioned that he employed "various degrees of pressure to give variations and life to the work." -- Source of annotation: Marvin or Ruth Sackner.
Dattilogramme=typewriter poem / Nannucci, Maurizio., 1964
The image consists of large red slashes on yellow stock paper.The title and year are written in graphite on the verso. -- Source of annotation: Marvin or Ruth Sackner.
for ew (210464) / Houedard, Dom Sylvester., 1964
The dedication, "for ew," probably refers to emmett williams. Houedard left the carbon copy intact on the folded page below the original typing such that when the work is unfolded, the carbon typed page presents a shadowy mirror image. The work is composed of parentheses marks. -- Source of annotation: Marvin or Ruth Sackner.
Gratte-Ciel N* 116 / Chopin, Henri., 1987
The English translation of the title is skyscraper. -- Source of annotation: Marvin or Ruth Sackner.
GUSTAVUS ADOLPHUS REVIEWS HIS ARMY FIRST VIEW / Mott, Michael., 1971
HERALDIC ORDERS FOR THE COMPUTER CATHEDRAL / Mott, Michael., 1971
The artist composed the work on an Olympia Splendid 99. In a personal communication to Marvin Sackner in 2013, Mott stated that the his typewritings were inflenced by Margaret, his first wife's (died in 1990) weavings plus reading on knots, quipu, etc and not by the reading of Monk's Pond that he was unaware of until the 1980s. He further mentioned that he employed "various degrees of pressure to give variations and life to the work." Mott mentionsthat this piece was to pay a tribute to one of his favorite painters of Church Interiors, Pieter Jamsz Saenredam.. -- Source of annotation: Marvin or Ruth Sackner.
Hommage to Mondrian V / Valoch, Jiri., 1966
Image is formed from typed dashes. -- Source of annotation: Marvin or Ruth Sackner.
In A: ABC - Untitled 1/ Untitled 2/ Untitled 3/ Untitled 4 / Parritt, Simon., 1975
[interlocking rectangles] (280167) / Houedard, Dom Sylvester., 1967
[Letter to Ruth & Marvin on February 10, 2004] / Strafella, Allyson., 2004
This letter consists of repetitive dashes or underlines in black ink such that parts of the piece have become slitted the paper. -- Source of annotation: Marvin or Ruth Sackner.
Night Sky from the Daughters' Room / Mott, Michael., 1971
The artist composed the work on an Olympia Splendid 99. In a personal communication to Marvin Sackner in 2013, Mott stated that the his typewritings were influenced by Margaret, his first wife's (died in 1990) weavings plus reading on knots, quipu, etc and not by reading Monk's Pond that he was unaware of until the 1980s. -- Source of annotation: Marvin or Ruth Sackner.